◆Comedy · As You Like It

Corin

An old shepherd who guides the exiles through forest life.

Corin is the Forest of Arden's native voice of pastoral experience - his practical help secures Rosalind and Celia's cottage, and his debate with Touchstone gives the play's country-versus-court theme its clearest direct expression.

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Appears In

Act II
Act III
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Who is Corin?

Corin is an old shepherd native to the Forest of Arden, first seen listening patiently to Silvius's lament for Phebe and offering the mild, experienced observation that he too once loved this desperately, though he cannot now remember the particulars well enough to give useful advice. It is a small, warm joke about the difference between the intensity of young love and the softened memory of old age, delivered without any bitterness.

When Rosalind and Celia arrive exhausted and hungry, it is Corin who provides the practical information that gets them settled - his master's flock and cottage are for sale, since his master is 'of churlish disposition' and cares little for hospitality, and Corin brokers the purchase that gives the disguised cousins a home in the forest for the rest of the play.

His most substantial scene, a debate with Touchstone in Act III over the relative merits of court and country life, gives the forest's pastoral values their most direct articulation and their most direct challenge - Corin defends a shepherd's contented, self-sufficient existence with plain good sense against Touchstone's citified wit, and neither party fully concedes the argument, which is rather the point: the play is not interested in declaring one life definitively better than the other.

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Motivation

Corin is motivated by a settled contentment with rural life and a practical helpfulness toward the strangers who arrive in his forest, offering what assistance and wisdom his long experience as a shepherd affords.

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Personality

◆Practical◆Contented◆Plain-spoken◆Experienced◆Unpretentious

Corin represents the forest's genuine, unglamorised pastoral life, in contrast to the more theatrical version the exiled court sometimes performs - his contentment is real and hard-won rather than a philosophical pose, and his debate with Touchstone shows a man entirely secure in the value of his own experience.

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Relationships

S
SILVIUS
The young shepherd he counsels
Corin listens to Silvius's lovesick complaints with the patient, slightly bemused sympathy of someone who remembers feeling the same way without quite remembering why it felt so urgent.
R
ROSALIND
The disguised newcomer he helps settle
Corin brokers the purchase of a shepherd's cottage and flock for Rosalind and Celia, giving the disguised cousins a practical foothold in the forest for the remainder of their exile.