Malvolio A puritan steward undone by a forged love letter.
Comedy · Twelfth Night

Malvolio's lines in Twelfth Night

97 speeches in 7 scenes, with cues

12 speeches

Rehearse this scene 12 speeches
Olivia What think you of this fool, Malvolio? doth he not mend?
Malvolio
Malvolio. Yes, and shall do till the pangs of death shake him: infirmity, that decays the wise, doth ever make the better fool.
Olivia How say you to that, Malvolio?
Malvolio
Malvolio. I marvel your ladyship takes delight in such a barren rascal: I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he's out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest, I take these wise men, that crow so at these set kind of fools, no better than the fools' zanies.
Clown He is but mad yet, madonna; and the fool shall look to the madman.
Malvolio
Malvolio. Madam, yond young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you. I told him you were asleep; he seems to have a foreknowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he's fortified against any denial.
Olivia Tell him he shall not speak with me.
Malvolio
Malvolio. Has been told so; and he says, he'll stand at your door like a sheriff's post, and be the supporter to a bench, but he'll speak with you.
Olivia What kind o' man is he?
Malvolio
Malvolio. Why, of mankind.
Olivia What manner of man?
Malvolio
Malvolio. Of very ill manner; he'll speak with you, will you or no.
Olivia Of what personage and years is he?
Malvolio
Malvolio. Not yet old enough for a man, nor young enough for a boy; as a squash is before 'tis a peascod, or a cooling when 'tis almost an apple: 'tis with him in standing water, between boy and man. He is very well-favoured and he speaks very shrewishly; one would think his mother's milk were scarce out of him.
Olivia Let him approach: call in my gentlewoman.
Malvolio
Malvolio. Gentlewoman, my lady calls.
Olivia Unless the master were the man. How now? Even so quickly may one catch the plague? Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
Malvolio
Malvolio. Here, madam, at your service.
Olivia Run after that same peevish messenger, The county's man: he left this ring behind him, Would I or not: desire him not to flatter It with his lord; he takes it off with duty: He knows I am not of him.
Malvolio
Malvolio. I shall, madam.
Olivia Unless the master were the man. How now! Even so quickly may one catch the plague? Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
Malvolio
Malvolio. Here, madam, at your service.
Olivia Run that after that same peevish messenger, The county's man: he left this ring behind him, Would I or not: tell him I'll none of it. Desire him not to flatter with his lord, Nor hold him up with hopes; I am not for him: If that the youth will come this way to-morrow, I'll give him reasons for't: hie thee, Malvolio.
Malvolio
Malvolio. Madam, I will.

31 speeches

Rehearse this scene 3 speeches
First line of the scene
Malvolio
Malvolio. Were not you even now with the Countess Olivia?
Viola Even now, sir; on a moderate pace I have since arrived but hither.
Malvolio
Malvolio. Were not you even now with the Countess Olivia? She returns this ring to you, sir: you might have saved me my pains, to have taken it away yourself.
She adds, moreover, that you should put your lord into a desperate assurance she will none of him: and one thing more, that you be never so hardy to come again in his affairs, unless it be to report your lord's taking of this. Receive it so.
Viola She took the ring of me: I'll none of it.
Malvolio
Malvolio. Come, sir, you peevishly threw it to her; and her will is, it should be so returned: if it be worth stooping for, there it lies in your eye; if not, be it his that finds it.

Rehearse this scene 5 speeches
Maria For the love o' God, peace!
Malvolio
Malvolio. My masters, are you mad? or what are you? Have ye no wit, manners, nor honesty, but to gabble like tinkers at this time of night? Do ye make an alehouse of my lady's house, that ye squeak out your coziers' catches without any mitigation or remorse of voice? Is there no respect of place, persons, nor time in you?
Sir Toby Belch We did keep time, sir, in our catches. Sneck up!
Malvolio
Malvolio. Sir Toby, I must be round with you. My lady bade me tell you, that, though she harbours you as her kinsman, she's nothing allied to your disorders. If you can separate yourself and your misdemeanors, you are welcome to the house; if not, an it would please you to take leave of her, she is very willing to bid you farewell.
Clown 'His eyes do show his days are almost done.'
Malvolio
Malvolio. Is't even so?
Clown Sir Toby, there you lie.
Malvolio
Malvolio. This is much credit to you.
Sir Toby Belch Thou't i' the right. Go, sir, rub your chain with crumbs. A stoup of wine, Maria!
Malvolio
Malvolio. Mistress Mary, if you prized my lady's favour at any thing more than contempt, you would not give means for this uncivil rule: she shall know of it, by this hand.

Rehearse this scene 23 speeches
Maria for here comes the trout that must be caught with tickling.
Malvolio
Malvolio. 'Tis but fortune; all is fortune. Maria once told me she did affect me: and I have heard herself come thus near, that, should she fancy, it should be one of my complexion. Besides, she uses me with a more exalted respect than any one else that follows her. What should I think on't?
Sir Toby Belch Peace, I say.
Malvolio
Malvolio. To be Count Malvolio!
Sir Toby Belch Peace, peace!
Malvolio
Malvolio. There is example for't; the lady of the Strachy married the yeoman of the wardrobe.
Fabian O, peace! now he's deeply in: look how imagination blows him.
Malvolio
Malvolio. Having been three months married to her, sitting in my state,--
Sir Toby Belch O, for a stone-bow, to hit him in the eye!
Malvolio
Malvolio. Calling my officers about me, in my branched velvet gown; having come from a day-bed, where I have left Olivia sleeping,--
Fabian O, peace, peace!
Malvolio
Malvolio. And then to have the humour of state; and after a demure travel of regard, telling them I know my place as I would they should do theirs, to for my kinsman Toby,--
Fabian O peace, peace, peace! now, now.
Malvolio
Malvolio. Seven of my people, with an obedient start, make out for him: I frown the while; and perchance wind up watch, or play with my--some rich jewel. Toby approaches; courtesies there to me,--
Fabian Though our silence be drawn from us with cars, yet peace.
Malvolio
Malvolio. I extend my hand to him thus, quenching my familiar smile with an austere regard of control,--
Sir Toby Belch And does not Toby take you a blow o' the lips then?
Malvolio
Malvolio. Saying, 'Cousin Toby, my fortunes having cast me on your niece give me this prerogative of speech,'--
Sir Toby Belch What, what?
Malvolio
Malvolio. 'You must amend your drunkenness.'
Fabian Nay, patience, or we break the sinews of our plot.
Malvolio
Malvolio. 'Besides, you waste the treasure of your time with a foolish knight,'--
Sir Andrew That's me, I warrant you.
Malvolio
Malvolio. 'One Sir Andrew,'--
Sir Andrew I knew 'twas I; for many do call me fool.
Malvolio
Malvolio. What employment have we here?
Sir Toby Belch O, peace! and the spirit of humour intimate reading aloud to him!
Malvolio
Malvolio. By my life, this is my lady's hand these be her very C's, her U's and her T's and thus makes she her great P's. It is, in contempt of question, her hand.
Sir Andrew Her C's, her U's and her T's: why that?
Malvolio
Malvolio. [Reads] 'To the unknown beloved, this, and my good wishes:'--her very phrases! By your leave, wax. Soft! and the impressure her Lucrece, with which she uses to seal: 'tis my lady. To whom should this be?
Fabian This wins him, liver and all.
Malvolio
Malvolio. ([Reads]) Jove knows I love: But who? Lips, do not move; No man must know. 'No man must know.' What follows? the numbers altered! 'No man must know:' if this should be thee, Malvolio?
Sir Toby Belch Marry, hang thee, brock!
Malvolio
Malvolio. ([Reads]) I may command where I adore; But silence, like a Lucrece knife, With bloodless stroke my heart doth gore: M, O, A, I, doth sway my life.
Sir Toby Belch Excellent wench, say I.
Malvolio
Malvolio. 'M, O, A, I, doth sway my life.' Nay, but first, let me see, let me see, let me see.
Sir Toby Belch And with what wing the staniel cheques at it!
Malvolio
Malvolio. 'I may command where I adore.' Why, she may command me: I serve her; she is my lady. Why, this is evident to any formal capacity; there is no obstruction in this: and the end,--what should that alphabetical position portend? If I could make that resemble something in me,--Soft! M, O, A, I,--
Fabian Sowter will cry upon't for all this, though it be as rank as a fox.
Malvolio
Malvolio. M,--Malvolio; M,--why, that begins my name.
Fabian Did not I say he would work out? the cur is excellent at faults.
Malvolio
Malvolio. M,--but then there is no consonancy in the sequel; that suffers under probation A should follow but O does.
Sir Toby Belch Ay, or I'll cudgel him, and make him cry O!
Malvolio
Malvolio. And then I comes behind.
Fabian Ay, an you had any eye behind you, you might see more detraction at your heels than fortunes before you.
Malvolio
Malvolio. M, O, A, I; this simulation is not as the former: and yet, to crush this a little, it would bow to me, for every one of these letters are in my name. Soft! here follows prose.
'If this fall into thy hand, revolve. In my stars I am above thee; but be not afraid of greatness: some are born great, some achieve greatness, and some have greatness thrust upon 'em. Thy Fates open their hands; let thy blood and spirit embrace them; and, to inure thyself to what thou art like to be, cast thy humble slough and appear fresh.
Be opposite with a kinsman, surly with servants; let thy tongue tang arguments of state; put thyself into the trick of singularity: she thus advises thee that sighs for thee.
Remember who commended thy yellow stockings, and wished to see thee ever cross-gartered: I say, remember. Go to, thou art made, if thou desirest to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch Fortune's fingers.
Farewell. She that would alter services with thee, THE FORTUNATE-UNHAPPY.' Daylight and champaign discovers not more: this is open.
I will be proud, I will read politic authors, I will baffle Sir Toby, I will wash off gross acquaintance, I will be point-devise the very man. I do not now fool myself, to let imagination jade me; for every reason excites to this, that my lady loves me.
She did commend my yellow stockings of late, did praise my leg being cross-gartered; and in this she manifests herself to my love, and with a kind of injunction drives to these habits of her liking.
I thank my stars I am happy. I will be strange, stout, in yellow stockings, and cross-gartered, even with the swiftness of putting on. Jove and my stars be praised! Here is yet a postscript.
'Thou canst not choose but know who I am. If thou entertainest my love, let it appear in thy smiling; thy smiles become thee well; therefore in my presence still smile, dear my sweet, I prithee.' Jove, I thank thee: I will smile; I will do everything that thou wilt have me.

29 speeches

Rehearse this scene 29 speeches
Olivia How now, Malvolio!
Malvolio
Malvolio. Sweet lady, ho, ho.
Olivia Smiles, little? why, some have fåttem theft Upon the—
Malvolio
Malvolio. Sad, lady? I could be sad: this does make some obstruction in the blood, this cross-gartering; but what of that? if it please the eye of one, it is with me as the very true sonnet is; 'Please one, and please all.'
Olivia Why, how dost thou, man? what is the matter with thee?
Malvolio
Malvolio. Not black in my mind, though yellow in my legs. It did come to his hands, and commands shall be executed: I think we do know the sweet Roman hand.
Olivia Wilt thou go to bed, Malvolio?
Malvolio
Malvolio. To bed! 'ay, sweetheart; and I'll come to thee.'
Maria How do you, Malvolio?
Malvolio
Malvolio. At your rk! Not I. 'The youth of the count's today does his best.' Well, well.
Maria La you, an you speak ill of the devil, how he takes it at heart! Pray God, he be not bewitched!
Malvolio
Malvolio. Carry his water to the wise woman.
Maria Marry, and it shall be done to-morrow morning if I live. My lady would not lose for more than I'll say.
Malvolio
Malvolio. How now, mistress!
Maria O lord!
Malvolio
Malvolio. 'Go hang yourselves all! you are idle shallow things: I am not of your element: you shall know more hereafter.'
Olivia How now, Malvolio!
Malvolio
Malvolio. Sweet lady, ho, ho.
Olivia Smilest thou? I sent for thee upon a sad occasion.
Malvolio
Malvolio. Sad, lady! I could be sad: this does make some obstruction in the blood, this cross-gartering; but what of that? if it please the eye of one, it is with me as the very true sonnet is, 'Please one, and please all.'
Olivia Why, how dost thou, man? what is the matter with thee?
Malvolio
Malvolio. Not black in my mind, though yellow in my legs. It did come to his hands, and commands shall be executed: I think we do know the sweet Roman hand.
Olivia Wilt thou go to bed, Malvolio?
Malvolio
Malvolio. To bed! ay, sweet-heart, and I'll come to thee.
Maria How do you, Malvolio?
Malvolio
Malvolio. At your request! yes; nightingales answer daws.
Maria Why appear you with this ridiculous boldness before my lady?
Malvolio
Malvolio. 'Be not afraid of greatness:' 'twas well writ.
Olivia What meanest thou by that, Malvolio?
Malvolio
Malvolio. 'Some are born great,'--
Olivia Ha!
Malvolio
Malvolio. 'Some achieve greatness,'--
Olivia What sayest thou?
Malvolio
Malvolio. 'And some have greatness thrust upon them.'
Olivia Heaven restore thee!
Malvolio
Malvolio. 'Remember who commended thy yellow stocking s,'--
Olivia Thy yellow stockings!
Malvolio
Malvolio. 'And wished to see thee cross-gartered.'
Olivia Cross-gartered!
Malvolio
Malvolio. 'Go to thou art made, if thou desirest to be so;'--
Olivia Am I made?
Malvolio
Malvolio. 'If not, let me see thee a servant still.'
Olivia Good Maria, let this fellow be looked to. Where's my cousin Toby? Let some of my people have a special care of him: I would not have him miscarry for the half of my dowry.
Malvolio
Malvolio. O, ho! do you come near now? No worse man than Sir Toby to look to me! This concurs directly with the letter: she sends him on purpose, that I may appear stubborn to him; for she incites me to that in the letter.
'Cast thy humble slough,' says she; 'be opposite with a kinsman, surly with servants; let thy tongue tang with arguments of state; put thyself into the trick of singularity;' and consequently sets down the manner how; as, a sad face, a reverend carriage, a slow tongue, in the habit of some sir of note, and so forth.
I have limed her; but it is Jove's doing, and Jove make me thankful! And when she went away now, 'Let this fellow be looked to:' fellow! not Malvolio, nor after my degree, but fellow.
Why, every thing adheres together, that no dram of a scruple, no scruple of a scruple, no obstacle, no incredulous or unsafe circumstance--What can be said? Nothing that can be can come between me and the full prospect of my hopes. Well, Jove, not I, is the doer of this, and he is to be thanked.
Fabian Here he is, here he is. How is't with you, sir? how is't with you, man?
Malvolio
Malvolio. Go off; I discard you: let me enjoy my private: go off.
Maria Lo, how hollow the fiend speaks within him! did not I tell you? Sir Toby, my lady prays you to have a care of him.
Malvolio
Malvolio. Ah, ha! does she so?
Sir Toby Belch Go to, go to; peace, peace; we must deal gently with him: let me alone. How do you, Malvolio? how is't with you? What, man! defy the devil: consider, he's an enemy to mankind.
Malvolio
Malvolio. Do you know what you say?
Maria Marry, and it shall be done to-morrow morning, if I live. My lady would not lose him for more than I'll say.
Malvolio
Malvolio. How now, mistress!
Sir Toby Belch Why, how now, my bawcock! how dost thou, chuck?
Malvolio
Malvolio. Sir!
Maria Get him to say his prayers, good Sir Toby, get him to pray.
Malvolio
Malvolio. My prayers, minx!
Maria No, I warrant you, he will not hear of godliness.
Malvolio
Malvolio. Go, hang yourselves all! you are idle shallow things: I am not of your element: you shall know more hereafter.

22 speeches

Rehearse this scene 22 speeches
Sir Toby Belch The knave counterfeits well; a good knave.
Malvolio
Malvolio. [Within] Who calls there?
Clown Sir Topas the curate, who comes to visit Malvolio the lunatic.
Malvolio
Malvolio. Sir Topas, Sir Topas, good Sir Topas, go to my lady.
Sir Toby Belch Well said, Master Parson.
Malvolio
Malvolio. Sir Topas, never was man thus wronged: good Sir Topas, do not think I am mad: they have laid me here in hideous darkness.
Clown Fie, thou dishonest Satan! I call thee by the most modest terms; for I am one of those gentle ones that will use the devil himself with courtesy: sayest thou that house is dark?
Malvolio
Malvolio. As hell, Sir Topas.
Clown Why it hath bay windows transparent as barricadoes, and the clearstores toward the south north are as lustrous as ebony; and yet complainest thou of obstruction?
Malvolio
Malvolio. I am not mad, Sir Topas: I say to you, this house is dark.
Clown Madman, thou errest: I say, there is no darkness but ignorance; in which thou art more puzzled than the Egyptians in their fog.
Malvolio
Malvolio. I say, this house is as dark as ignorance, though ignorance were as dark as hell; and I say, there was never man thus abused. I am no mad man than you are: make the trial of it in any constant question.
Clown What is the opinion of Pythagoras concerning wild fowl?
Malvolio
Malvolio. That the soul of our grandam might haply inhabit a bird.
Clown What thinkest thou of his opinion?
Malvolio
Malvolio. I think nobly of the soul, and no way approve his opinion.
Clown Fare thee well. Remain thou still in darkness: thou shalt hold the opinion of Pythagoras ere I will allow of thy wits, and fear to kill a woodcock, lest thou dispossess the soul of thy grandam. Fare thee well.
Malvolio
Malvolio. Sir Topas, Sir Topas!
Clown ([Singing]) 'Hey, Robin, jolly Robin, Tell me how thy lady does.'
Malvolio
Malvolio. Fool!
Clown 'My lady is unkind, perdy.'
Malvolio
Malvolio. Fool!
Clown 'Alas, why is she so?'
Malvolio
Malvolio. Fool, I say!
Clown 'She loves another'--Who calls, ha?
Malvolio
Malvolio. Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and pen, ink and paper: as I am a gentleman, I will live to be thankful to thee for't.
Clown Master Malvolio?
Malvolio
Malvolio. Ay, good fool.
Clown Alas, sir, how fell you besides your five wits?
Malvolio
Malvolio. Fool, there was never a man so notoriously abused: I am as well in my wits, fool, as thou art.
Clown But as well? then you are mad indeed, if you be no better in your wits than a fool.
Malvolio
Malvolio. They have here propertied me; keep me darkness, send ministers to me, asses, and do all they can to face me out of my wits.
Clown Advise you what you say; the minister is here. Malvolio, Malvolio, thy wits the heavens restore! endeavour thyself to sleep, and leave thy vain bibble babble.
Malvolio
Malvolio. Sir Topas!
Clown Maintain no words with him, good fellow. Who, I, sir? not I, sir. God be wi' you, good Sir Topas. Merry, amen. I will, sir, I will.
Malvolio
Malvolio. Fool, fool, fool, I say!
Clown Alas, sir, be patient. What say you sir? I am shent for speaking to you.
Malvolio
Malvolio. Good fool, help me to some light and some paper: I tell thee, I am as well in my wits as any man in Illyria.
Clown Well-a-day that you were, sir
Malvolio
Malvolio. By this hand, I am. Good fool, some ink, paper and light; and convey what I will set down to my lady: it shall advantage thee more than ever the bearing of letter did.
Clown I will help you to't. But tell me true, are you not mad indeed? or do you but counterfeit?
Malvolio
Malvolio. Believe me, I am not; I tell thee true.
Clown Nay, I'll ne'er believe a madman till I see his brains. I will fetch you light and paper and ink.
Malvolio
Malvolio. Fool, I'll requite it in the highest degree: I prithee, be gone.

3 speeches

Rehearse this scene 3 speeches
Olivia Ay, my lord, this same. How now, Malvolio!
Malvolio
Malvolio. Madam, you have done me wrong, Notorious wrong.
Olivia Have I, Malvolio? no.
Malvolio
Malvolio. Lady, you have. Pray you, peruse that letter.
You must not now deny it is your hand: Write from it, if you can, in hand or phrase; Or say 'tis not your seal, nor your invention: You can say none of this: well, grant it then And tell me, in the modesty of honour, Why you have given me such clear lights of favour, Bade me come smiling and cross-garter'd to you, To put on yellow stockings and to frown Upon Sir Toby and the lighter people; And, acting this in an obedient hope, Why have you suffer'd me to be imprison'd, Kept in a dark house, visited by the priest, And made the most notorious geck and gull That e'er invention play'd on?
tell me why.
Clown Why, 'some are born great, some achieve greatness, and some have greatness thrown upon them.' I was one, sir, in this interlude; one Sir Topas, sir; but that's all one. 'By the Lord, fool, I am not mad.' But do you remember? 'Madam, why laugh you at such a barren rascal? an you smile not, he's gagged:' and thus the whirligig of time brings in his revenges.
Malvolio
Malvolio. I'll be revenged on the whole pack of you.