Clown God bless thee, lady!
Olivia
Olivia. Take the fool away.
Clown Do you not hear, fellows? Take away the lady.
Olivia
Olivia. Go to, you're a dry fool; I'll no more of you: besides, you grow dishonest.
Clown Any thing that's mended is but patched: virtue that transgresses is but patched with sin; and sin that amends is but patched with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty's a flower. The lady bade take away the fool; therefore, I say again, take her away.
Olivia
Olivia. Sir, I bade them take away you.
Clown Misprision in the highest degree! Lady, cucullus non facit monachum; that's as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
Olivia
Clown Dexterously, good madonna.
Olivia
Clown I must catechise you for it, madonna: good my mouse of virtue, answer me.
Olivia
Olivia. Well, sir, for want of other idleness, I'll bide your proof.
Clown Good madonna, why mournest thou?
Olivia
Olivia. Good fool, for my brother's death.
Clown I think his soul is in hell, madonna.
Olivia
Olivia. I know his soul is in heaven, fool.
Clown The more fool, madonna, to mourn for your brother's soul being in heaven. Take away the fool, gentlemen.
Olivia
Olivia. What think you of this fool, Malvolio? doth he not mend?
Clown God send you, sir, a speedy infirmity, for the better increasing your folly! Sir Toby will be sworn that I am no fox; but he will not pass his word for two pence that you are no fool.
Olivia
Olivia. How say you to that, Malvolio?
Malvolio I marvel your ladyship takes delight in such a barren rascal: I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he's out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest, I take these wise men, that crow so at these set kind of fools, no better than the fools' zanies.
Olivia
Olivia. Oh, you are sick of self-love, Malvolio, and taste with a distempered appetite. To be generous, guiltless and of free disposition, is to take those things for bird-bolts that you deem cannon-bullets: there is no slander in an allowed fool, though he do nothing but rail; nor no railing in a known discreet man, though he do nothing but reprove.
Maria Madam, there is at the gate a young gentleman much desires to speak with you.
Olivia
Olivia. From the Count Orsino, is it?
Maria I know not, madam: 'tis a fair young man, and well attended.
Olivia
Olivia. Who of my people hold him in delay?
Maria Sir Toby, madam, your kinsman.
Olivia
Olivia. Fetch him off, I pray you; he speaks nothing but madman: fie on him!
Go you, Malvolio: if it be a suit from the count, I am sick, or not at home; what you will, to dismiss it.
Now you see, sir, how your fooling grows old, and people dislike it.
Clown Thou hast spoke for us, madonna, as if thy eldest son should be a fool; whose skull Jove cram with brains! for,--here he comes,--one of thy kin has a most weak pia mater.
Olivia
Olivia. By mine honour, half drunk. What is he at the gate, cousin?
Sir Toby Belch A gentleman.
Olivia
Olivia. A gentleman! what gentleman?
Clown Good Sir Toby!
Olivia
Olivia. Cousin, cousin, how have you come so early by this lethargy?
Sir Toby Belch Lechery! I defy lechery. There's one at the gate.
Olivia
Olivia. Ay, marry, what is he?
Sir Toby Belch Let him be the devil, an he will, I care not: give me faith, say I. Well, it's all one.
Olivia
Olivia. What's a drunken man like, fool?
Clown Like a drowned man, a fool and a mad man: one draught above heat makes him a fool; the second mads him; and a third drowns him.
Olivia
Olivia. Go thou and seek the crowner, and let him sit o' my coz; for he's in the third degree of drink, he's drowned: go, look after him.
Malvolio Madam, yond young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you. I told him you were asleep; he seems to have a foreknowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he's fortified against any denial.
Olivia
Olivia. Tell him he shall not speak with me.
Malvolio Has been told so; and he says, he'll stand at your door like a sheriff's post, and be the supporter to a bench, but he'll speak with you.
Olivia
Olivia. What kind o' man is he?
Malvolio Why, of mankind.
Olivia
Olivia. What manner of man?
Malvolio Of very ill manner; he'll speak with you, will you or no.
Olivia
Olivia. Of what personage and years is he?
Malvolio Not yet old enough for a man, nor young enough for a boy; as a squash is before 'tis a peascod, or a cooling when 'tis almost an apple: 'tis with him in standing water, between boy and man. He is very well-favoured and he speaks very shrewishly; one would think his mother's milk were scarce out of him.
Olivia
Olivia. Let him approach: call in my gentlewoman.
Malvolio Gentlewoman, my lady calls.
Olivia
Olivia. Give me my veil: come, throw it o'er my face. We'll once more hear Orsino's embassy.
Viola The honourable lady of the house, which is she?
Olivia
Olivia. Speak to me; I shall answer for her. Your will?
Viola Most radiant, exquisite and unmatchable beauty,--I pray you, tell me if this be the lady of the house, for I never saw her: I would be loath to cast away my speech, for besides that it is excellently well penned, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even to the least sinister usage.
Olivia
Olivia. Whence came you, sir?
Viola I can say little more than I have studied, and that question's out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
Olivia
Olivia. Are you a comedian?
Viola No, my profound heart: and yet, by the very fangs of malice I swear, I am not that I play. Are you the lady of the house?
Olivia
Olivia. If I do not usurp myself, I am.
Viola Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission: I will on with my speech in your praise, and then show you the heart of my message.
Olivia
Olivia. Come to what is important in't: I forgive you the praise.
Viola Alas, I took great pains to study it, and 'tis poetical.
Olivia
Olivia. It is the more like to be feigned: I pray you, keep it in. I heard you were saucy at my gates, and allowed your approach rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason, be brief: 'tis not that time of moon with me to make one in so skipping a dialogue.
Viola No, good swabber; I am to hull here a little longer. Some mollification for your giant, sweet lady. Tell me your mind: I am a messenger.
Olivia
Olivia. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Viola It alone concerns your ear. I bring no overture of war, no taxation of homage: I hold the olive in my hand; my words are as fun of peace as matter.
Olivia
Olivia. Yet you began rudely. What are you? what would you?
Viola The rudeness that hath appeared in me have I learned from my entertainment. What i am, and what I would, are as secret as maidenhead; to your ears, divinity, to any other's, profanation.
Olivia
Olivia. Give us the place alone: we will hear this divinity.
Now, sir, what is your text?
Viola Most sweet lady,--
Olivia
Olivia. A comfortable doctrine, and much may be said of it. Where lies your text?
Viola In Orsino's bosom.
Olivia
Olivia. In his bosom! In what chapter of his bosom?
Viola To answer by the method, in the first of his heart.
Olivia
Olivia. O, I have read it: it is heresy. Have you no more to say?
Viola Good madam, let me see your face.
Olivia
Olivia. Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture. Look you, sir, such a one I was this present: is't not well done?
Viola Excellently done, if God did all.
Olivia
Olivia. 'Tis in grain, sir; 'twill endure wind and weather.
Viola And truly plotted, either for matrimony or the pie- house.
Olivia
Olivia. Madam, come thither again. Give your screen from yonder; you are full of any grave face. Methinks I look tall. Is't not well done?
Viola It is excellent well done.
Olivia
Olivia. To answer in excellent method; being writ in your art, yours is with them. Marry, yet, I let go mute: the more's the pity, your fool, his master, will suffer a kind of man.
Viola Thy tongue, some mollification for your giant, sweet lady. Tell me your mind: I am a messenger.
Olivia
Olivia. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Viola It alone concerns your ear. I bring no overture of war, no taxation of homage: I hold the olive in my hand; my words are as fun of peace as matter.
Olivia
Olivia. Yet you began rudely. What are you? what would you?
Viola The rudeness that hath appeared in me have I learned from my entertainment. What i am, and what I would, are as secret as maidenhead; to your ears, divinity, to any other's, profanation.
Olivia
Olivia. Give us the place alone: we will hear this divinity.
Now, sir, what is your text?
Viola Most sweet lady,--
Olivia
Olivia. A comfortable doctrine, and much may be said of it. Where lies your text?
Viola In Orsino's bosom.
Olivia
Olivia. In his bosom! In what chapter of his bosom?
Viola To answer by the method, in the first of his heart.
Olivia
Olivia. O, I have read it: it is heresy. Have you no more to say?
Viola Good madam, let me see your face.
Olivia
Olivia. Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture. Look you, sir, such a one I was this present: is't not well done?
Viola Excellently done, if God did all.
Olivia
Olivia. 'Tis in grain, sir; 'twill endure wind and weather.
Viola 'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady, you are the cruell'st she alive, If you will lead these graces to the grave And leave the world no copy.
Olivia
Olivia. O, sir, I will not be so hard-hearted; I will give out such schedules. his inventory shall first be filed, as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
Viola I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you: O, such love Could be but recompens'd, though you were crown'd The nonpareil of beauty!
Olivia
Olivia. How does he love me?
Viola With adorations, fertile tears, With groans that thunder love, with sighs of fire.
Olivia
Olivia. Your lord does know my mind; I cannot love him: Yet I suppose him virtuous, know him noble, Of excellent estate, of fresh and stainless youth; In voices well divulged, free, learn'd and valiant; And in dimension and the shape of nature A gracious person: but yet I cannot love him; I might have took good pains to answer you. He might have found his answer; he had been love.
Viola You might do much relative to my fortune; If I did love you in my master's flame, With such a suffering, such a deadly life, In your denial I would find no sense; I would not understand it.
Olivia
Olivia. Why, what would you?
Viola Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night; Hallow your name to the reverberate hills And make the babbling gossip of the air Cry out 'Olivia!' O, you should not rest Between the elements of air and earth, But you should pity me!
Olivia
Olivia. You might do much. What is your parentage?
Viola Above my fortunes, yet my state is well: I am a gentleman.
Olivia
Olivia. Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To know how he takes it. Fare you well: I thank you for your pains: spend this for me.
Viola I am no fee'd post, lady; keep your purse: My master, not myself, lack recompense. Love make his heart of flint that you shall love; And let your fervor, like my master's, be Placed in contempt! Farewell, fair cruelty.
Olivia
Olivia. 'What is your parentage?' 'Above my fortunes, yet my state is well: I am a gentleman.' I'll be sworn thou art; Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blazon: not too fast: soft! soft!
Unless the master were the man. How now? Even so quickly may one catch the plague? Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
Malvolio Here, madam, at your service.
Olivia
Olivia. Run after that same peevish messenger, The county's man: he left this ring behind him, Would I or not: desire him not to flatter It with his lord; he takes it off with duty: He knows I am not of him.
Malvolio I shall, madam.
Olivia
Olivia. I do not know what pasa o'er my mind, Mine eye has usually corrupted me. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so.
'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady, you are the cruell'st she alive, If you will lead these graces to the grave And leave the world no copy.
O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: it shall be inventoried, and every particle and utensil labelled to my will: as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
Viola I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you: O, such love Could be but recompensed, though you were crown'd The nonpareil of beauty!
Olivia
Olivia. How does he love me?
Viola With adorations, fertile tears, With groans that thunder love, with sighs of fire.
Olivia
Olivia. Your lord does know my mind; I cannot love him: Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulged, free, learn'd and valiant; And in dimension and the shape of nature A gracious person: but yet I cannot love him; He might have took his answer long ago.
Viola If I did love you in my master's flame, With such a suffering, such a deadly life, In your denial I would find no sense; I would not understand it.
Olivia
Olivia. Why, what would you?
Viola Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of condemned love And sing them loud even in the dead of night; Halloo your name to the reverberate hills And make the babbling gossip of the air Cry out 'Olivia!' O, You should not rest Between the elements of air and earth, But you should pity me!
Olivia
Olivia. You might do much. What is your parentage?
Viola Above my fortunes, yet my state is well: I am a gentleman.
Olivia
Olivia. Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To tell me how he takes it. Fare you well: I thank you for your pains: spend this for me.
Viola I am no fee'd post, lady; keep your purse: My master, not myself, lacks recompense. Love make his heart of flint that you shall love; And let your fervor, like my master's, be Placed in contempt! Farewell, fair cruelty.
Olivia
Olivia. 'What is your parentage?' 'Above my fortunes, yet my state is well: I am a gentleman.' I'll be sworn thou art; Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blon: not too fast: soft, soft!
Unless the master were the man. How now! Even so quickly may one catch the plague? Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
Malvolio Here, madam, at your service.
Olivia
Olivia. Run that after that same peevish messenger, The county's man: he left this ring behind him, Would I or not: tell him I'll none of it. Desire him not to flatter with his lord, Nor hold him up with hopes; I am not for him: If that the youth will come this way to-morrow, I'll give him reasons for't: hie thee, Malvolio.
Malvolio Madam, I will.
Olivia
Olivia. I do I know not what, and fear to find Mine eye too great a flatterer for my mind. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so.