Olivia A wealthy countess besieged by suitors she cannot love.
Comedy · Twelfth Night

Olivia's lines in Twelfth Night

147 speeches in 6 scenes, with cues

67 speeches

Rehearse this scene 67 speeches
Clown God bless thee, lady!
Olivia
Olivia. Take the fool away.
Clown Do you not hear, fellows? Take away the lady.
Olivia
Olivia. Go to, you're a dry fool; I'll no more of you: besides, you grow dishonest.
Clown Any thing that's mended is but patched: virtue that transgresses is but patched with sin; and sin that amends is but patched with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty's a flower. The lady bade take away the fool; therefore, I say again, take her away.
Olivia
Olivia. Sir, I bade them take away you.
Clown Misprision in the highest degree! Lady, cucullus non facit monachum; that's as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
Olivia
Olivia. Can you do it?
Clown Dexterously, good madonna.
Olivia
Olivia. Make your proof.
Clown I must catechise you for it, madonna: good my mouse of virtue, answer me.
Olivia
Olivia. Well, sir, for want of other idleness, I'll bide your proof.
Clown Good madonna, why mournest thou?
Olivia
Olivia. Good fool, for my brother's death.
Clown I think his soul is in hell, madonna.
Olivia
Olivia. I know his soul is in heaven, fool.
Clown The more fool, madonna, to mourn for your brother's soul being in heaven. Take away the fool, gentlemen.
Olivia
Olivia. What think you of this fool, Malvolio? doth he not mend?
Clown God send you, sir, a speedy infirmity, for the better increasing your folly! Sir Toby will be sworn that I am no fox; but he will not pass his word for two pence that you are no fool.
Olivia
Olivia. How say you to that, Malvolio?
Malvolio I marvel your ladyship takes delight in such a barren rascal: I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he's out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest, I take these wise men, that crow so at these set kind of fools, no better than the fools' zanies.
Olivia
Olivia. Oh, you are sick of self-love, Malvolio, and taste with a distempered appetite. To be generous, guiltless and of free disposition, is to take those things for bird-bolts that you deem cannon-bullets: there is no slander in an allowed fool, though he do nothing but rail; nor no railing in a known discreet man, though he do nothing but reprove.
Maria Madam, there is at the gate a young gentleman much desires to speak with you.
Olivia
Olivia. From the Count Orsino, is it?
Maria I know not, madam: 'tis a fair young man, and well attended.
Olivia
Olivia. Who of my people hold him in delay?
Maria Sir Toby, madam, your kinsman.
Olivia
Olivia. Fetch him off, I pray you; he speaks nothing but madman: fie on him!
Go you, Malvolio: if it be a suit from the count, I am sick, or not at home; what you will, to dismiss it.
Now you see, sir, how your fooling grows old, and people dislike it.
Clown Thou hast spoke for us, madonna, as if thy eldest son should be a fool; whose skull Jove cram with brains! for,--here he comes,--one of thy kin has a most weak pia mater.
Olivia
Olivia. By mine honour, half drunk. What is he at the gate, cousin?
Sir Toby Belch A gentleman.
Olivia
Olivia. A gentleman! what gentleman?
Clown Good Sir Toby!
Olivia
Olivia. Cousin, cousin, how have you come so early by this lethargy?
Sir Toby Belch Lechery! I defy lechery. There's one at the gate.
Olivia
Olivia. Ay, marry, what is he?
Sir Toby Belch Let him be the devil, an he will, I care not: give me faith, say I. Well, it's all one.
Olivia
Olivia. What's a drunken man like, fool?
Clown Like a drowned man, a fool and a mad man: one draught above heat makes him a fool; the second mads him; and a third drowns him.
Olivia
Olivia. Go thou and seek the crowner, and let him sit o' my coz; for he's in the third degree of drink, he's drowned: go, look after him.
Malvolio Madam, yond young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you. I told him you were asleep; he seems to have a foreknowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he's fortified against any denial.
Olivia
Olivia. Tell him he shall not speak with me.
Malvolio Has been told so; and he says, he'll stand at your door like a sheriff's post, and be the supporter to a bench, but he'll speak with you.
Olivia
Olivia. What kind o' man is he?
Malvolio Why, of mankind.
Olivia
Olivia. What manner of man?
Malvolio Of very ill manner; he'll speak with you, will you or no.
Olivia
Olivia. Of what personage and years is he?
Malvolio Not yet old enough for a man, nor young enough for a boy; as a squash is before 'tis a peascod, or a cooling when 'tis almost an apple: 'tis with him in standing water, between boy and man. He is very well-favoured and he speaks very shrewishly; one would think his mother's milk were scarce out of him.
Olivia
Olivia. Let him approach: call in my gentlewoman.
Malvolio Gentlewoman, my lady calls.
Olivia
Olivia. Give me my veil: come, throw it o'er my face. We'll once more hear Orsino's embassy.
Viola The honourable lady of the house, which is she?
Olivia
Olivia. Speak to me; I shall answer for her. Your will?
Viola Most radiant, exquisite and unmatchable beauty,--I pray you, tell me if this be the lady of the house, for I never saw her: I would be loath to cast away my speech, for besides that it is excellently well penned, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even to the least sinister usage.
Olivia
Olivia. Whence came you, sir?
Viola I can say little more than I have studied, and that question's out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
Olivia
Olivia. Are you a comedian?
Viola No, my profound heart: and yet, by the very fangs of malice I swear, I am not that I play. Are you the lady of the house?
Olivia
Olivia. If I do not usurp myself, I am.
Viola Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission: I will on with my speech in your praise, and then show you the heart of my message.
Olivia
Olivia. Come to what is important in't: I forgive you the praise.
Viola Alas, I took great pains to study it, and 'tis poetical.
Olivia
Olivia. It is the more like to be feigned: I pray you, keep it in. I heard you were saucy at my gates, and allowed your approach rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason, be brief: 'tis not that time of moon with me to make one in so skipping a dialogue.
Viola No, good swabber; I am to hull here a little longer. Some mollification for your giant, sweet lady. Tell me your mind: I am a messenger.
Olivia
Olivia. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Viola It alone concerns your ear. I bring no overture of war, no taxation of homage: I hold the olive in my hand; my words are as fun of peace as matter.
Olivia
Olivia. Yet you began rudely. What are you? what would you?
Viola The rudeness that hath appeared in me have I learned from my entertainment. What i am, and what I would, are as secret as maidenhead; to your ears, divinity, to any other's, profanation.
Olivia
Olivia. Give us the place alone: we will hear this divinity.
Now, sir, what is your text?
Viola Most sweet lady,--
Olivia
Olivia. A comfortable doctrine, and much may be said of it. Where lies your text?
Viola In Orsino's bosom.
Olivia
Olivia. In his bosom! In what chapter of his bosom?
Viola To answer by the method, in the first of his heart.
Olivia
Olivia. O, I have read it: it is heresy. Have you no more to say?
Viola Good madam, let me see your face.
Olivia
Olivia. Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture. Look you, sir, such a one I was this present: is't not well done?
Viola Excellently done, if God did all.
Olivia
Olivia. 'Tis in grain, sir; 'twill endure wind and weather.
Viola And truly plotted, either for matrimony or the pie- house.
Olivia
Olivia. Madam, come thither again. Give your screen from yonder; you are full of any grave face. Methinks I look tall. Is't not well done?
Viola It is excellent well done.
Olivia
Olivia. To answer in excellent method; being writ in your art, yours is with them. Marry, yet, I let go mute: the more's the pity, your fool, his master, will suffer a kind of man.
Viola Thy tongue, some mollification for your giant, sweet lady. Tell me your mind: I am a messenger.
Olivia
Olivia. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Viola It alone concerns your ear. I bring no overture of war, no taxation of homage: I hold the olive in my hand; my words are as fun of peace as matter.
Olivia
Olivia. Yet you began rudely. What are you? what would you?
Viola The rudeness that hath appeared in me have I learned from my entertainment. What i am, and what I would, are as secret as maidenhead; to your ears, divinity, to any other's, profanation.
Olivia
Olivia. Give us the place alone: we will hear this divinity.
Now, sir, what is your text?
Viola Most sweet lady,--
Olivia
Olivia. A comfortable doctrine, and much may be said of it. Where lies your text?
Viola In Orsino's bosom.
Olivia
Olivia. In his bosom! In what chapter of his bosom?
Viola To answer by the method, in the first of his heart.
Olivia
Olivia. O, I have read it: it is heresy. Have you no more to say?
Viola Good madam, let me see your face.
Olivia
Olivia. Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture. Look you, sir, such a one I was this present: is't not well done?
Viola Excellently done, if God did all.
Olivia
Olivia. 'Tis in grain, sir; 'twill endure wind and weather.
Viola 'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady, you are the cruell'st she alive, If you will lead these graces to the grave And leave the world no copy.
Olivia
Olivia. O, sir, I will not be so hard-hearted; I will give out such schedules. his inventory shall first be filed, as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
Viola I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you: O, such love Could be but recompens'd, though you were crown'd The nonpareil of beauty!
Olivia
Olivia. How does he love me?
Viola With adorations, fertile tears, With groans that thunder love, with sighs of fire.
Olivia
Olivia. Your lord does know my mind; I cannot love him: Yet I suppose him virtuous, know him noble, Of excellent estate, of fresh and stainless youth; In voices well divulged, free, learn'd and valiant; And in dimension and the shape of nature A gracious person: but yet I cannot love him; I might have took good pains to answer you. He might have found his answer; he had been love.
Viola You might do much relative to my fortune; If I did love you in my master's flame, With such a suffering, such a deadly life, In your denial I would find no sense; I would not understand it.
Olivia
Olivia. Why, what would you?
Viola Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night; Hallow your name to the reverberate hills And make the babbling gossip of the air Cry out 'Olivia!' O, you should not rest Between the elements of air and earth, But you should pity me!
Olivia
Olivia. You might do much. What is your parentage?
Viola Above my fortunes, yet my state is well: I am a gentleman.
Olivia
Olivia. Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To know how he takes it. Fare you well: I thank you for your pains: spend this for me.
Viola I am no fee'd post, lady; keep your purse: My master, not myself, lack recompense. Love make his heart of flint that you shall love; And let your fervor, like my master's, be Placed in contempt! Farewell, fair cruelty.
Olivia
Olivia. 'What is your parentage?' 'Above my fortunes, yet my state is well: I am a gentleman.' I'll be sworn thou art; Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blazon: not too fast: soft! soft!
Unless the master were the man. How now? Even so quickly may one catch the plague? Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
Malvolio Here, madam, at your service.
Olivia
Olivia. Run after that same peevish messenger, The county's man: he left this ring behind him, Would I or not: desire him not to flatter It with his lord; he takes it off with duty: He knows I am not of him.
Malvolio I shall, madam.
Olivia
Olivia. I do not know what pasa o'er my mind, Mine eye has usually corrupted me. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so.
'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady, you are the cruell'st she alive, If you will lead these graces to the grave And leave the world no copy.
O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: it shall be inventoried, and every particle and utensil labelled to my will: as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
Viola I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you: O, such love Could be but recompensed, though you were crown'd The nonpareil of beauty!
Olivia
Olivia. How does he love me?
Viola With adorations, fertile tears, With groans that thunder love, with sighs of fire.
Olivia
Olivia. Your lord does know my mind; I cannot love him: Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulged, free, learn'd and valiant; And in dimension and the shape of nature A gracious person: but yet I cannot love him; He might have took his answer long ago.
Viola If I did love you in my master's flame, With such a suffering, such a deadly life, In your denial I would find no sense; I would not understand it.
Olivia
Olivia. Why, what would you?
Viola Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of condemned love And sing them loud even in the dead of night; Halloo your name to the reverberate hills And make the babbling gossip of the air Cry out 'Olivia!' O, You should not rest Between the elements of air and earth, But you should pity me!
Olivia
Olivia. You might do much. What is your parentage?
Viola Above my fortunes, yet my state is well: I am a gentleman.
Olivia
Olivia. Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To tell me how he takes it. Fare you well: I thank you for your pains: spend this for me.
Viola I am no fee'd post, lady; keep your purse: My master, not myself, lacks recompense. Love make his heart of flint that you shall love; And let your fervor, like my master's, be Placed in contempt! Farewell, fair cruelty.
Olivia
Olivia. 'What is your parentage?' 'Above my fortunes, yet my state is well: I am a gentleman.' I'll be sworn thou art; Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blon: not too fast: soft, soft!
Unless the master were the man. How now! Even so quickly may one catch the plague? Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
Malvolio Here, madam, at your service.
Olivia
Olivia. Run that after that same peevish messenger, The county's man: he left this ring behind him, Would I or not: tell him I'll none of it. Desire him not to flatter with his lord, Nor hold him up with hopes; I am not for him: If that the youth will come this way to-morrow, I'll give him reasons for't: hie thee, Malvolio.
Malvolio Madam, I will.
Olivia
Olivia. I do I know not what, and fear to find Mine eye too great a flatterer for my mind. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so.

44 speeches

Rehearse this scene 13 speeches
Sir Andrew 'Odours,' 'pregnant' and 'vouchsafed:' I'll get 'em all three all ready.
Olivia
Olivia. Let the garden door be shut, and leave me to my hearing.
Give me your hand, sir.
Viola My duty, madam, and most humble service.
Olivia
Olivia. What is your name?
Viola Cesario is your servant's name, fair princess.
Olivia
Olivia. My servant, sir! 'Twas never merry world Since lowly feigning was call'd compliment: You're servant to the Count Orsino, youth.
Viola And he is yours, and his must needs be yours: Your servant's servant is your servant, madam.
Olivia
Olivia. For him, I think not on him: for his thoughts, Would they were blanks, rather than fill'd with me!
Viola Madam, I come to whet your gentle thoughts On his behalf.
Olivia
Olivia. O, by your leave, I pray you, I bade you never speak again of him: But, would you undertake another suit, I had rather hear you to solicit that Than music from the spheres.
Viola Dear lady,--
Olivia
Olivia. Give me leave, beseech you. I did send, After the last enchantment you did here, A ring in chase of you: so did I abuse Myself, my servant and, I fear me, you: Under your hard construction must I sit, To force that on you, in a shameful cunning, Which you knew none of yours: what might you think?
Have you not set mine honour at the stake And baited it with all the unmuzzled thoughts That tyrannous heart can think? To one of your receiving Enough is shown: a cypress, not a bosom, Hideth my heart. So, let me hear you speak.
Viola I pity you.
Olivia
Olivia. That's a degree to love.
Viola No, not a grize; for 'tis a vulgar proof, That very oft we pity enemies.
Olivia
Olivia. Why, then, methinks 'tis time to smile again. O, world, how apt the poor are to be proud! If one should be a prey, how much the better To fall before the lion than the wolf!
The clock upbraids me with the waste of time. Be not afraid, good youth, I will not have you: And yet, when wit and youth is come to harvest, Your were is alike to reap a proper man: There lies your way, due west.
Viola Then westward-ho! Grace and good disposition Attend your ladyship! You'll nothing, madam, to my lord by me?
Olivia
Olivia. Stay: I prithee, tell me what thou thinkest of me.
Viola That you do think you are not what you are.
Olivia
Olivia. If I think so, I think the same of you.
Viola Then think you right: I am not what I am.
Olivia
Olivia. I would you were as I would have you be!
Viola Would it be better, madam, than I am? I wish it might, for now I am your fool.
Olivia
Olivia. O, what a deal of scorn looks beautiful In the contempt and anger of his lip! A murderous guilt shows not itself more soon Than love that would seem hid: love's night is noon. Cesario, by the roses of the spring, By maidhood, honour, truth and every thing, I love thee so, that, maugre all thy pride, Nor wit nor reason can my passion hide.
Do not extort thy reasons from this clause, For that I woo, thou therefore hast no cause, But rather reason thus with reason fetter, Love sought is good, but given unsought better.
Viola By innocence I swear, and by my youth I have one heart, one bosom and one truth, And that no woman has; nor never none Shall mistress be of it, save I alone. And so adieu, good madam: never more Will I my master's tears to you deplore.
Olivia
Olivia. Yet come again; for thou perhaps mayst move That heart, which now abhors, to like his love.

Rehearse this scene 31 speeches
First line of the scene
Olivia
Olivia. I have sent after him: he says he'll come; How shall I feast him? what bestow of him? For youth is bought more oft than begg'd or borrow'd. I speak too loud. Where is Malvolio? he is sad and civil, And suits well for a servant with my fortunes: Where is Malvolio?
Maria He's coming, madam; but in very strange manner. He is, sure, possessed, madam.
Olivia
Olivia. Why, what's the matter? does he rave?
Maria No, madam, he does nothing but smile: your ladyship were best to have some guard about you, if he come; for, sure, the man is tainted in's wits.
Olivia
Olivia. Go call him hither.
I am as mad as he, If sad and merry madness equal be.
How now, Malvolio!
Malvolio Sweet lady, ho, ho.
Olivia
Olivia. Smiles, little? why, some have fåttem theft Upon the—
Malvolio Sad, lady? I could be sad: this does make some obstruction in the blood, this cross-gartering; but what of that? if it please the eye of one, it is with me as the very true sonnet is; 'Please one, and please all.'
Olivia
Olivia. Why, how dost thou, man? what is the matter with thee?
Malvolio Not black in my mind, though yellow in my legs. It did come to his hands, and commands shall be executed: I think we do know the sweet Roman hand.
Olivia
Olivia. Wilt thou go to bed, Malvolio?
Malvolio To bed! 'ay, sweetheart; and I'll come to thee.'
Olivia
Olivia. God comfort thee! Why dost thou smile so and kiss thy hand so oft?
Sir Toby Belch Is't possible?
Olivia
Olivia. If this fall into the right hand, my — Would I were worth of it!
Sir Toby Belch What wouldst thou have done, Toby?
Olivia
Olivia. Why, my lord, didst thou not desire a match between us?
Sir Andrew Ay, is't, I warrant him: do but read.
Olivia
Olivia. Give me. [Reads] 'Youth, whatsoever thou art, thou art but a scurvy fellow.'
Sir Toby Belch Good, and valiant.
Olivia
Olivia. [Reads] 'Wonder not, nor admire not in thy mind, by what name I call thee, for I acknowledge thee no name; but know thou, that I come to thee for injury, being goods bought and sold; wherefore I — '
Sir Toby Belch A good robustious challenge; it would do one good to see it.
Olivia
Olivia. [Reads] '— wherefore, issue from thy defence; valour is my hat, or my coat: remember — '
Sir Toby Belch Nay, let me read it. [Reads] '— remember who commended thy yellow stockings, and wished to see thee cross-gartered: and see thee safe, farewell. Go with me whither thou wilt; speed thee, servant.' Which way is he?
Olivia
Olivia. This must be matched with a —
Maria No. madam, he does nothing but smile: your ladyship were best to have some guard about you, if he come; for, sure, the man is tainted in's wits.
Olivia
Olivia. Go call him hither.
I am as mad as he, If sad and merry madness equal be.
How now, Malvolio!
Malvolio Sweet lady, ho, ho.
Olivia
Olivia. Smilest thou? I sent for thee upon a sad occasion.
Malvolio Sad, lady! I could be sad: this does make some obstruction in the blood, this cross-gartering; but what of that? if it please the eye of one, it is with me as the very true sonnet is, 'Please one, and please all.'
Olivia
Olivia. Why, how dost thou, man? what is the matter with thee?
Malvolio Not black in my mind, though yellow in my legs. It did come to his hands, and commands shall be executed: I think we do know the sweet Roman hand.
Olivia
Olivia. Wilt thou go to bed, Malvolio?
Malvolio To bed! ay, sweet-heart, and I'll come to thee.
Olivia
Olivia. God comfort thee! Why dost thou smile so and kiss thy hand so oft?
Malvolio 'Be not afraid of greatness:' 'twas well writ.
Olivia
Olivia. What meanest thou by that, Malvolio?
Malvolio 'Some are born great,'--
Olivia
Olivia. Ha!
Malvolio 'Some achieve greatness,'--
Olivia
Olivia. What sayest thou?
Malvolio 'And some have greatness thrust upon them.'
Olivia
Olivia. Heaven restore thee!
Malvolio 'Remember who commended thy yellow stocking s,'--
Olivia
Olivia. Thy yellow stockings!
Malvolio 'And wished to see thee cross-gartered.'
Olivia
Olivia. Cross-gartered!
Malvolio 'Go to thou art made, if thou desirest to be so;'--
Olivia
Olivia. Am I made?
Malvolio 'If not, let me see thee a servant still.'
Olivia
Olivia. Why, this is very midsummer madness.
Servant Madam, the young gentleman of the Count Orsino's is returned: I could hardly entreat him back: he attend's your ladyship's pleasure.
Olivia
Olivia. I'll come to him.
Good Maria, let this fellow be looked to. Where's my cousin Toby? Let some of my people have a special care of him: I would not have him miscarry for the half of my dowry.
Sir Toby Belch I will meditate the while upon some horrid message for a challenge.
Olivia
Olivia. I have said too much unto a heart of stone And laid mine honour too unchary out: There's something in me that reproves my fault; But such a headstrong potent fault it is, That it but mocks reproof.
Viola With the same 'havior that your passion bears Goes on my master's grief.
Olivia
Olivia. Here, wear this jewel for me, 'tis my picture; Refuse it not; it hath no tongue to vex you; And I beseech you come again to-morrow. What shall you ask of me that I'll deny, That honour saved may upon asking give?
Viola Nothing but this; your true love for my master.
Olivia
Olivia. How with mine honour may I give him that Which I have given to you?
Viola I will acquit you.
Olivia
Olivia. Well, come again to-morrow: fare thee well: A fiend like thee might bear my soul to hell.

6 speeches

Rehearse this scene 4 speeches
Sir Toby Belch What, what? Nay, then I must have an ounce or two of this malapert blood from you.
Olivia
Olivia. Hold, Toby; on thy life I charge thee, hold!
Sir Toby Belch Madam!
Olivia
Olivia. Will it be ever thus? Ungracious wretch, Fit for the mountains and the barbarous caves, Where manners ne'er were preach'd! out of my sight! Be not offended, dear Cesario. Rudesby, be gone!
I prithee, gentle friend, Let thy fair wisdom, not thy passion, sway In this uncivil and thou unjust extent Against thy peace. Go with me to my house, And hear thou there how many fruitless pranks This ruffian hath botch'd up, that thou thereby Mayst smile at this; thou shalt not choose but go: Do not deny. Beshrew his soul for me, He started one poor heart of mine in thee.
Sebastian What relish is in this? how runs the stream? Or I am mad, or else this is a dream: Let fancy still my sense in Lethe steep; If it be thus to dream, still let me sleep!
Olivia
Olivia. Nay, come, I prithee; would thou'ldst be ruled by me!
Sebastian Madam, I will.
Olivia
Olivia. O, say so, and so be!

Rehearse this scene 2 speeches
Sebastian But here the lady comes.
Olivia
Olivia. Blame not this haste of mine. If you mean well, Now go with me and with this holy man Into the chantry by: there, before him, And underneath that consecrated roof, Plight me the full assurance of your faith; That my most jealous and too doubtful soul May live at peace.
He shall conceal it Whiles you are willing it shall come to note, What time we will our celebration keep According to my birth. What do you say?
Sebastian I'll follow this good man, and go with you; And, having sworn truth, ever will be true.
Olivia
Olivia. Then lead the way, good father; and heavens so shine, That they may fairly note this act of mine!

30 speeches

Rehearse this scene 30 speeches
Duke Orsino Here comes the countess: now heaven walks on earth. But for thee, fellow; fellow, thy words are madness: Three months this youth hath tended upon me; But more of that anon. Take him aside.
Olivia
Olivia. What would my lord, but that he may not have, Wherein Olivia may seem serviceable? Cesario, you do not keep promise with me.
Duke Orsino Gracious Olivia,--
Olivia
Olivia. What do you say, Cesario? Good my lord,--
Viola My lord would speak; my duty hushes me.
Olivia
Olivia. If it be aught to the old tune, my lord, It is as fat and fulsome to mine ear As howling after music.
Duke Orsino Still so cruel?
Olivia
Olivia. Still so constant, lord.
Duke Orsino What, to perverseness? you uncivil lady, To whose ingrate and unauspicious altars My soul the faithfull'st offerings hath breathed out That e'er devotion tender'd! What shall I do?
Olivia
Olivia. Even what it please my lord, that shall become him.
Viola And I, most jocund, apt and willingly, To do you rest, a thousand deaths would die.
Olivia
Olivia. Where goes Cesario?
Viola After him I love More than I love these eyes, than my life, More, by all mores, than e'er I shall love wife. If I do feign, you witnesses above Punish my life for tainting of my love!
Olivia
Olivia. Ay me, detested! how am I beguiled!
Viola Who does beguile you? who does do you wrong?
Olivia
Olivia. Hast thou forgot thyself? is it so long? Call forth the holy father.
Duke Orsino Come, away!
Olivia
Olivia. Whither, my lord? Cesario, husband, stay.
Duke Orsino Husband!
Olivia
Olivia. Ay, husband: can he that deny?
Viola No, my lord, not I.
Olivia
Olivia. Alas, it is the baseness of thy fear That makes thee strangle thy propriety: Fear not, Cesario; take thy fortunes up; Be that thou know'st thou art, and then thou art As great as that thou fear'st.
O, welcome, father! Father, I charge thee, by thy reverence, Here to unfold, though lately we intended To keep in darkness what occasion now Reveals before 'tis ripe, what thou dost know Hath newly pass'd between this youth and me.
Viola My lord, I do protest--
Olivia
Olivia. O, do not swear! Hold little faith, though thou hast too much fear.
Sir Andrew For the love of God, a surgeon! Send one presently to Sir Toby.
Olivia
Olivia. What's the matter?
Sir Andrew He has broke my head across and has given Sir Toby a bloody coxcomb too: for the love of God, your help! I had rather than forty pound I were at home.
Olivia
Olivia. Who has done this, Sir Andrew?
Sir Toby Belch Then he's a rogue, and a passy measures panyn: I hate a drunken rogue.
Olivia
Olivia. Away with him! Who hath made this havoc with them?
Sir Toby Belch Will you help? an ass-head and a coxcomb and a knave, a thin-faced knave, a gull!
Olivia
Olivia. Get him to bed, and let his hurt be look'd to.
Antonio How have you made division of yourself? An apple, cleft in two, is not more twin Than these two creatures. Which is Sebastian?
Olivia
Olivia. Most wonderful!
Viola The captain that did bring me first on shore Hath my maid's garments: he upon some action Is now in durance, at Malvolio's suit, A gentleman, and follower of my lady's.
Olivia
Olivia. He shall enlarge him: fetch Malvolio hither: And yet, alas, now I remember me, They say, poor gentleman, he's much distract.
A most extracting frenzy of mine own From my remembrance clearly banish'd his. How does he, sirrah?
Clown Truly, madam, he holds Belzebub at the staves's end as well as a man in his case may do: has here writ a letter to you; I should have given't you to-day morning, but as a madman's epistles are no gospels, so it skills not much when they are delivered.
Olivia
Olivia. Open't, and read it.
Clown 'By the Lord, madam,'--
Olivia
Olivia. How now! art thou mad?
Clown No, madam, I do but read madness: an your ladyship will have it as it ought to be, you must allow Vox.
Olivia
Olivia. Prithee, read i' thy right wits.
Clown So I do, madonna; but to read his right wits is to read thus: therefore perpend, my princess, and give ear.
Olivia
Olivia. Read it you, sirrah. (To FABIAN)
Fabian I have your own letter that induced me to the semblance I put on; with the which I doubt not but to do myself much right, or you much shame. Think of me as you please. I leave my duty a little unthought of and speak out of my injury. THE MADLY-USED MALVOLIO.'
Olivia
Olivia. Did he write this?
Duke Orsino This savours not much of distraction.
Olivia
Olivia. See him deliver'd, Fabian; bring him hither.
My lord so please you, these things further thought on, To think me as well a sister as a wife, One day shall crown the alliance on't, so please you, Here at my house and at my proper cost.
Duke Orsino Madam, I am most apt to embrace your offer. (To VIOLA) Your master quits you; and for your service done him, So much against the mettle of your sex, So far beneath your soft and tender breeding, And since you call'd me master for so long, Here is my hand: you shall from this time be Your master's mistress.
Olivia
Olivia. A sister! you are she.
Duke Orsino Is this the madman?
Olivia
Olivia. Ay, my lord, this same. How now, Malvolio!
Malvolio Madam, you have done me wrong, Notorious wrong.
Olivia
Olivia. Have I, Malvolio? no.
Malvolio tell me why.
Olivia
Olivia. Alas, Malvolio, this is not my writing, Though, I confess, much like the character But out of question 'tis Maria's hand. And now I do bethink me, it was she First told me thou wast mad; then camest in smiling, And in such forms which here were presupposed Upon thee in the letter.
Prithee, be content: This practise hath most shrewdly pass'd upon thee; But when we know the grounds and authors of it, Thou shalt be both the plaintiff and the judge Of thine own cause.
Fabian How with a sportful malice it follow'd, May rather pluck on laughter than revenge; If that the injuries be justly weigh'd That have on both sides pass'd.
Olivia
Olivia. Alas, poor fool, how have they baffled thee!
Malvolio I'll be revenged on the whole pack of you.
Olivia
Olivia. He hath been most notoriously abused.